akiko kiyamas latest release features four tracks of intricate drum programming, bringing her characteristic warmth to the groove with their ghostly whispered vocal samples and the clicking and clanking poly-rhythmic sound made famous by the legendary berlin imprint, perlon. the first track, carnival, brings all the fun of the fair, a swirl of coloured lights barely glimpsed amongst the heaving throngs of somewhere like bar 25, followed on by an abstract slow burner which sneaks up on you with its sneezed vocal snippets and jangling bassline. talon, a real dancefloor creeper, clips along insistently and the final track, with its bass-guitar and pulsing synth line rounds of the record in perfect ethereal fashion. as akiko puts it herself, >deepness, depression, beauty, irony, fun - these are keywords for my music also my life itself<. you can definitely feel that there is much more thought put into these productions than just purely the need to move people on the dancefloor.

driving forces recordings welcomes flug aka junior lopez, one of the main icons of argentinas electronic music scene, with >13 series ep<, a dark and rolling techno masterpiece.
after releases on labels like mauro picottos alchemy and pär grindviks stockholm ltd, >13 series ep< features remixes from his closest friends, the uks sleaze records label head, hans bouffmyhre and argentinas no.1 techno export juan pablo pfirter.
supported by adam beyer, dave clarke, slam, samuel l. sessionjoseph capriati, sasha carassi, alan fitzpatrick, virgil enzinger, alex bau, sven wittekind, monika kruse, submerge, secret cinema, a.mochi, perc, go hiyama, audio injection, axel karakasis, lars wickinger, lars klein ...

>the face of the planet< is the opening track and first single of the subs freshly squeezed full album decontrol that will be released on lektroluv end of march. the subs give you an anthem. a hymn. some people will recognize this track from the notorious subs live shows, but be prepared for a new version that sounds fresh like a happy polar bear. optimistic yet melancholic. old but new. punchy and sexy. the new subs have arrived!
accompanied by banging remixes by style of eye, tai & gtronic this makes an amazing package.
plays by crookers, steve aoki, dr. lektroluv, don rimini, proxy, nt89, hey today, dj manaia, mixhell etc ...

after the sensational >paris underground trax - vol.1< ep, my love is underground returns! this new release has a very special story. the dedicated deep house connoisseurs amongst you will surely remember the name of >jerzzey boy<, a guy who did a bunch of releases on bottom line between 1992 and 1993. with the help of his partner brawther & after 5 years of research trying to trace him, the man behind the label, jeremy >underground paris< travelled to... pennsylvania, where jerzzey boy now resides, to meet up with him and bring back dat tapes, with unreleased gems from back in the days! heres a part of the result of that journey which is >lost cuts pt.1<, 4 tracks with that original early 90s vibe that will bring you straight to club zanzibar!

titbit music release 14 is produced by our enfant prodige from montpellier, now based in berlin, valentin foy aka slz. on side a, strugglin, feels like old ghetto track with a crazy acid long break to make you mad, on the other side, back stube, is a dark house track with a dreamy atmosphere and a lot of groove, a class ep.

dj ageishi is like the sensei of japanese djs: a true legend and active since 1973, he can scoop from an incredible musical wealth of experiences yet has his ear to whats happening in the now. this mixture of knowledge and curiosity for the new also characterizes his debut on internasjonal with colleague dj akin, who left his mark outside of japan with a remix for brennan greens >900lb man<. rattling drum breaks from the funk end of disco are the backbone for a soprano sax lick slightly remiscent of coltranes >a love supreme< that floats on top of noise distortet sheets of synth before the >rain parade< makes a total turn ending with a comforting lullaby like rhodes melody. prins thomas boils it all down to a simmering slow dub remake, while mark e lets all the single ingredients patiently lets every ingredient from the original develop its full-bodied flavour before kicking up the heat.

initially, it seems like the original track by chaim is impeccable. and yet kiki, arto mwambe and deniz kurtel each succeed in showing us a very special shade of the life-affirming track, adding to it and sending it out into the world bursting with power.

for the 8th release on soweso were proud to bring you parisian house music guru chris carrier. logic sunrise and street machine are both examples of how modern club house should sound like. high production value and amazing drive make these two sure shots for house djs worldwide. on the b-side we bring you two rare gems from chriss musical vault. love supreme is an amazing collaboration between chris and long time friend hector moralez and one night stand is a playfull classic house affaire.

berghain resident norman nodge offers up his first full ep for ostgut ton with three contemplative tracks. expanding and contracting with countless subtleties and enriched with bold artistic license. >the happenstance< is an enthused explorations into the many musical zones existing outside of techno. a warm and fresh embodiment of 80s wave electronica - like a classic carpenter score - only a few elements are needed for his narrative to shine. the impression of distant melodies exist in purposefully excluded moments of rest, where nodge uses restrain rather than release to interact with our very perception of the music. a fuller club cut, >body to body< floats into spacious, acidic zones. with the impression of sinking into a disorientating, resonating industrial space, this snaking and hypnotic exercise takes us in a very different yet equally rewarding direction to its sweeter a-side cousin. an ornate exercise in reduction and challenging timing, >breakdown< is a slow and measured display of nodges unique synthesised visions. this short exploration piece is a brave and gritty suggestion of whats to come next from this talented producer

man/machine: since their self titled debut album, vienna’s elektro guzzi made an impact on the scene no one could have imagined. being the first ever real techno live band, they took the scene by storm with their unparalleled stage appeal and future-forward sound. rocking clubs like berghain and fabric as well as numerous festivals (including sónar, time warp, spring 10, ade and mutek), it was the headstart of 2010. playing constantly live at countless gigs, plus live and studio appearances with patrick pulsinger and stefan goldmann, elektro guzzi’s music was set on fast forward evolution mode. “extrakt ep” captures the latest state of elektro guzzi’s incredible live sound, recorded in london with the outstanding capabilities of brendon ‘octave’ harding, the trusted engineer of dub legend lee ‘scratch’ perry, and mixed by mega-producer patrick pulsinger. the four cuts capture elektro guzzi’s raw side, turning out dark sexy grooves with an almost indie edge - probably their most danceable and dj friendly studio material to date - specifically produced for the vinyl format

for fans of nein mann ... i m dancing in front of speakers like a robot….! the nightworker s new single -roboter- + a remix of keira. b-side contains a track of the nightworker feat. niklas on sax -gitano- with relaxed sound of saxophone and guitar.

records like this dont come very often. thankfully it seems there are still people out there who care enough to create beautiful projects and timeless music. after the ingenious june white label came out last summer, these days records office fell in love with it and without wasting any time rushed to contact the mysterious artist and propose an album. although well-hidden in a secret back-alley of west london where june lives and dreams music, his unique approach on acid house, synth wave, chicago house and 80s nostalgia was too good to be left unnoticed and has been favored by people such as panorama bars steffi, mathematicss owner hieroglyphic being, terre thaemlitz and the clone record store to name but a few. almost half a year after his >alleviation< ep, junes debut album >cytheria< has been realized and features a 12inch sampler with two brand new tracks and two remixes by critically acclaimed dj sprinkles on one of junes older tracks >lost area<. terre thaemlitz aka dj sprinkles, who has been well renowned for his contributions in music and arts in general for the past two decades, delivers an epic remix that takes one to a forgotten musical territory somewhere between early warp records, hacienda, 80s new york club sound and older balearic music. the albums cd version includes 10 new songs and 4 from the artists back catalogue and retains a great balance between dance floor orientated tracks and synth-pop.

the third edition bunch of limited edition afro disco boogie edits on the guynamukat afro disco boogie edits label with a value for money 4 tracker. a side kicks off with an absolute stonker of with >ghana boogie baby<. trumpet, slap bass boogie african stylee with punchy brass and smatterings of catchy chorus. >butterfly funk< is straight out of the 1982 disco boogie period with the chunky bassline at the fore. sounding a little bit like chic with gorgeous chords, rhythm guitar and organ stabs. on the flip we travel back to africa for nigeria disco calling for lashings afro boogie with an irresistible shuffling african guitar and keys work out. b2. we ease into more afro boogie with >afro heat< for an infectious afro boogie workout with a pulsating disco bassline. essential music for your dancefloor!

the felix bernhardt machine is back with the first part of his forthcoming debut album called …durch und durch…! he has already made his name in the music biz with his releases on afulab like bango banger, bam bam bam, abfahrt ep and numerous others, but always delivers his most advanced and progressive productions on his motherlabel afulab.

after having hit the dancefloors with hydra (weave-26) we are proud to unleash another techno monster by spektre. these 2 guys have travelled the globe in the past years performing their live show, to rapturous acclaim. the versatile experiences they made & still make during their international appearances are constantly improving their own productions. spektres big explosive sound has gained massive respect & support and even the biggest of the big like sven väth, dj hell, dubfire, laurent garnier & many more are not sparing with praise. the title track of weave-34 synapse is stacking up an intimidating amount of industry knowledge and skill between them, the latest spektre-monster is storming from strength to strength, taking no prisoners - it can definitely be called a weapon! and as if this wouldnt be tough enough already, weave-34 delivers even more state of the art techno by offering 2 killer remix versions coming straight out of the noisemaking machines from italys young-gun flavio diaz and pig & dan

super limited edition re-press on heavyweight vinyl

3 tracks from cassius remixed by skream, bowsky, l-vis 1990 & the neon dreams and gesaffelstein.

following the success of his debut ep, komisch is delighted to put out the next instalment from sp-x. like his first release, the three tracks on field lines never end capture the essence of contemporary techno - austere and functional, yet deeply resonating. field construction starts with crackle of a broken power cable accompanying brittle percussion and a juggernaut rhythm, before dank filters, distorted riffs and a combination of doubled up claps and hissing hats bring the track to an irresistibly dark climax. internalize follows a similar path, but straight away sp-x plots a more ominous course, with a muffled filter making way for jarring riffs, a grubby acid line and killer claps. last but certainly not least, flux is constructed using dense rhythms, deadweight, iron bar beats and a howling siren riff that sounds like it came from beyond. all the while, sp-xs rasping, firing percussion weaves in and out. these are deadly effective techno tracks, streamlined for use on big speakers - but dont take our word for it, try them out yourselves!

hot vinyl only house release, limited to 200 copies worldwide! hand-stamped, numbered and shrink-wrapped with love by dr. love. better be quick - the stock is already melting like snow in the spring-sun!

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

aldo cadiz is back! he is without a doubt one of the leading producers of the electronic underground in chile.his productions have been published worldwide on international labels like, off, hoehenregler, desolat, regular, safari electronique. and again mr. adriano filippucci who started his musical career at the age of 6 and releases on labels like highgrade, musik gewinnt freunde, monique speciale

after the huge success of the catalogue number 005, formatic records has carved the next dance board. the beginning of the new year gives thanks to the constructing dj madskillz- presenting the bottom of a noble carnival-wagon, which drills itself through the castle walls of lethargy like a trojan horse. behind it the client in person jumps out of the bellies strong vehicle and brings the format:b remix, making even more tumult in the- without a doubt from luck traced- party bodies. the communal phenomenon that dj madskillz describes as >carnival chaos< is also being picked up by ramon tapia, who (as usual) bits the celebrating horse from behind making it spit fire in front during peak-time. a movement with pyrotechnical potential in the yet young post new-years-eve-2010-era. cheers!

echolettes second release manzanillo 002, follows up with a similar tropical -journey feeling- as felt on echolettes first release, perhaps setting the style for this excellent new label. whereas before it was pygmys and bongos, this time manzanillo has a distinctly more mexican, if not aztec vibe. the original mix kicks off with steady galloping horse like drums and percussion, which is suddenly met by a lovely melodic bassline, which again is doubled up with what sounds like a xylophone. just as your wondering where its all going, a wicked little riff with delayed minimal vocal slices enter the mix keeping the groove going on and on forever and ever... another brilliant and quality piece of music from jackie misfit

slamming funky chicago house stuff

fine art with another piece of sultry nu-disco/house. this time its londons capracara (aka jonathan burnip), who has had outstanding releases on dfa and soul jazz. this vinyl only release of panic beats includes (beside the original version of course) a sweet previously unrelease remix from diskjokke, one of those hot producers from oslo (like prince thomas, lindstrom). diskjokke just had his second album out on smalltown supersound but found time to deliver this sweet remix job. comes with two endless loops in the run out groove. fine art is on a great run with this cool 10... vinyl only

alen has signed on one of the most important electronic music labels in the world, pornographic recordings and 1605 music therapy, plus more than 15 more labels. its difficult, almost impossible do categorize his music. its very fresh and experimental. it has old school flavor with new and contemporary beats. its techno/tech-house with funky touch, psychedelic sounds and relentless groove. melody mixed in raw power of techno. his tracks are supported, played and charted by djs and artists like: cristian varela, carl cox, john acquaviva, umek, laurent garnier, marco bailey, secret cinema, josh wink, claude young, marko nastic, dave the drummer,joseph capriati, jon rundell, olivier giacomotto, tom hades and many more

head-turning singles >tuff enough< and >take em up< from marcus >shit robot< lambkins fantastic debut, from the cradle to the rave, get reinvented by two of the most talented dj/producers working in electronic music. on the a-side is germanys michael mayers epically inventive take on >tuff enuff<. less muscular than lambkins original, the remix softens things up by placing supple keys under the hardened exterior. the climax is an otherworldly listening experience that literally builds to take off. on the flip, john talabots remix of >take em up< starts like a laidback house party that builds just enough energy when its relocated under disco lights. the haunting opening — a swirling, ghostly blend of elliptical vocals and handclaps — leads to a sonic journey that is as smooth as it is wholly entrancing. this fantastic coupling of tracks is being produced in very short supply, so snap them up quickly!

there are few artists making seriously great music while not taking themselves too seriously: that difficult feat is one rarely attempted and even less often successfully carried out. benoit & sergio have seemingly effortlessly managed to pull off that contradictory trick, producing songs that sometimes seem like musical open letters: editorials narrated in the voices of unidentified, yet totally recognizable colorful characters, read aloud against a backdrop of beautifully lush, warm and sensuous electronic pop music. the unexpected juxtaposition of such pristine production and playful lyricism — first exhibited on 2009s highly praised <i>what ive lost</i> ep, which included the brilliantly sardonic single >full grown man< – exemplifies why benoit & sergio are one of the most unique and interesting outfits in dance music. its good news, then, that the washington, d.c./berlin-based outfits eagerly expected dfa debut maintains both the charm and expert craftsmanship of its predecessors. single >boy trouble< (the titular counterpoint to >full grown man<) launches the ep with all manner of reasons to take to the dancefloor: an exigent beat, a beckoning synthline, a bassline of understated funk. sergio lethargically sings about girls, making note of both their ups and the downsides, without the hindrance of subtlety. >i love girls/with legs like a ferrari< he states before noting (bemoaning?) the fact that >you need poetry to turn these girls on.< its a song for the best part of the night, full of compulsive rhythms and a climax that builds on sparkly synths. the accompanying remix from visionquest — the detroit-bred, berlin-based label led by producers seth troxler, ryan crosson, lee curtiss and shaun reeves — amps things up, making the beat a more prominent, driving and club banging force. the flipside features >full grown man< and >what ive lost<, which reveal themselves to be worth more than a few revisits.

the man called leftside wobble raises the heat and delivers two top quality reworks on autodiscotheque continuing the imprints journey into the disco influenced proto-house sound. leftside wobble has emerged as an exciting new dj and producer on the back of the massive hype created by his genre-hopping dj edits and mixes that are posted on his self titled blog. followers of the wobble sound now include music aficionados and dj legends like greg wilson, mr scruff, the unabombers and rob da bank and his web following is ever growing.

boys noize and housemeister, 2 good old friends from berlin with a lot of love for analog found together again to rave in the studio. after their first collaboration in 2006 under the name of eastwest, they are now brining us 3 new jams you don¥t want to miss. shizzo is the track youd probably expect from these 2 f..ckers:loud, noizy and stupid! its up and down parts shake the club like you were sitting in a rollercoaster - beware this is not for everyone. nbaxx is a new breakbeat track. breakbeat?yeah! with a hint of inspiration by lfo freak, this one comes quite minimal but hard, just the way these buddies like it. saturday the secret a side on this maxi is a disco-tech track, with moving arpeggios and big melodic break where spheric disco pads cool you down before you and the kids jump up to this piece of 2011 disco music.

if it is about contemporary house music, there is no way of avoiding the northern djs & producers. first and foremost with roberto rodriguez aka manolo, who has shaped his personal funk infected old-school vibe over the last years and helped the house revive without forgetting from where it came from. his future beat investigators strictly followed the detroit heritage and his acid kings membership gave us lust for the roland tb 303 again. the bermuda project came back to cosmic again and had more than an impact on the nu disco styles. it is his pertinent mix of soulful, funky & functional dancefloor and his his effective productions who convinced the tastemakers worldwide and prepared his ground for top notch releases on labels like compost, 2020vision, freerange or delusions of grandeur and remixes for acts like yoko ono, tigerstripes, jay shepheard, the timewriter, marmion, crazy p, bellringers or vanessa daou. now the time has come for his own platform called serenades, featuring the manolesque ep - for those who like it deep, down & funky!

limited coloured vinyl !! bangin analogue techno !! a la berghain / ben klock or marcel dettmann

the ppu label searched for this guy for years and as soon as they got a hold of the mysterious california gospel producer the first question was, why name your group shelve? >its not shelf, its shell-vee, for shelby!< ppu was finally able to locate shelby when releasing a record with michael soward (ppu-022), turned out shelby produced the title track >hes alive<. >this world< was recorded and mixed by dale >rambo< ramsey, who went on to work with some major hip-hop acts like ludacris, raekwon and the youngbloodz! today shelby hurns is still producing records and will be releasing his latest cd summer 2011. check!

support from the whole techno keyplayers crew worldwide like karotte, youandme, kaiserdisco, mihalas safras, patrick lindsey, echonomist,.... get dapayks first release on dekadent so far ! our thuringian mastermind delivers 2 raw and rollin killer techno tracks as we love it.

danilo vigoritos new album >on and on< is already supported by loco dice, john aquaviva, gel abril, marco carola, nick olivetti, chase buch ralf, mihalis safras, halo city, deep, tuccillo, marques wyatt (deep-la), and many more!

there is no family like the audio family! dj preach is back in bussiness with his pounding techno tracks tokyo and eight one. raul mezcolanza and aka carl remixing the tracks in the spanish style. exclusive dj tool for fans of labels like basics, patterns, special series, adult and those alike.

in just three years, berlin based artist dehnert has gone from unknown talent to underground hero with his very own >raw techno< sound making waves on labels like his own imprint fachwerk and now delsin, where he finds himself at home amongst the future music of talented cohorts redshape, a made up sound, delta funktionen and more. this ep is an introduction to his upcoming album framework - an uncompromising album made up of pure techno tracks of the sort youd expect to hear on the dancefloors of places like berghain or tresor. they go from pulsing and classic sounding to skipping and glitchy, through greyed-out and sandy via swinging and syncopated but always with a sense of restraint and control whether they are abstract, apocalyptic, atmospheric or whatever else. although his tracks are undeniably functional, at the same time, they are neither nondescript nor forgettable: somehow, through masterful sound designs and an accomplished knack for blending real tension and atmosphere with his obvious basic channel and berghain influences, mike dehnert manages to lock you into whatever mood takes his fancy with apparent ease.

eminor 29 again comes up with massive minimalist techno.
coeter one & dubit - granatapfel - bring together a german and an italian sound designer and you get an experimental mixture of drums and carefully quantized grooves. the minimalistic framework of >granatapfel< is teamed up by vocoded vocals and an unique break which leads majesically from confusion to musical order.
scalameriya - ridley - by the serbian techno-guru scalameriya has a fast and pushy bass-dominated rhythm, an almost factory-like precision and a compulsive eye on the floor.
granatapfel - re:axis s going down remix - the remix of portuguese duo re:axis is less stripped-down than the original. with its thrilling melody, re:axis manage to give the track an epic touch.

>world music< is the second 12 inch from washington, dc based protect-u. as the title suggests, protect-u grooves to global soundz, but this newest release–once again brought to you by future times–is total mutant house/techno. on the a-side, synth lines bubble like 80s-style francis bebey, then burn up into a space-pulse overdrive. the flip, >u-uno<, is an underwater electro-sitar dream straight outta 24th century india, followed by a slo-mo dub of >world music< that slips back and forth between digital jamaica and european nu-romance.

the urgent bass tones of >tussilago< open another intense builder. textural, staccatto elements combine and head the attack as the track picks up steam through its several, breathless breaks. satisfyingly wicked! mikael jonasson is the next artist to have his say on figure. like a pack of gruesome bass monsters brawling in their subterranean lair, >random diversity< is a ferocious encounter to say the least. roaring with intensity and detailed, thrilling sound design, its a raw, brutally modern and fiercely powerful production

more killer output from the skudge factory. below is a brand new side of refined diva haunted techno, while phantom bites like it was designed specifically to turn berghain inside out..huge sound. tip!

so … the story goes something like this: being inspired one day by 69 >desire<, vince decided to create an interpretation of it using his own unique sound. the track was done very quickly as a gimmick to send to carl craig as a mark of respect for his own track, now the track has been signed by carl for planet e and the world will now hear that very 12 minute piano and string filled beatless gimmick that is proving to be vinces most musical piece to date. its epic stuff. flipmode with >qualia< which takes off where vinces fcom material left off. deep driving hypnotic dancefloor material with an orchestra thrown in for good measure.

nice price deal !!! early support by luciano, dop, mathias kaden, steve bug, dixon, tini, karotte, markus fix, chris lattner, timo maas, ripperton, nick harris, martin landsky!baalsaal welcomes mr aeromaschine and predicts a long relationship to come. aeromaschine delivered a real versatile stunner. debunking random myths stands out as a very unpredictable piece of live performanced like collage and definitely will be his opener on his next festival in summer. not so is an hypnotic acidy interpretation of past future old school with a present high roller coat. this track blew us away. on the flip dean aka bearweasel digs a little deeper with classy dubby elements and a journey to planet x dream dancing to come... the dark horse is serenades for simple brains a beatdowner that nails it when it comes to non hype edit production.. a track to play for the next decade.

so far all 50 weapons releases have been either remixes of or by modeselektor and moderat, or split 10inches like the ones by humanleft & benjamin damage and earlier this year the fantastic elan vs falty dl record. 50weapons008 marks the first ever 50 weapons solo release by an artist. ladies and gentleman, cosmin trg, the man who never fails, presents two mighty techno weapons, striking, classic and modern at the same time.

>corky< is the third ep from brand brauer frick on tartelet records and features a remix from tartelets own james braun. music has always been the defining core of tartelet records. this may seem like an obvious statement, but that was the very reason why it hit us like a ton of bricks when we receivedthe first demo from paul frick and his new band around two years ago you might say that the brandt brauer frick sound touched on a vibration that had been lurking in our musical subconscious. we ll resist the temptation to wax lengthy or lyrical about >corky< instead, we suggest you have a listen and let yourself be seduced by its panoramic echoes and pumping bass drum. hop aboard an odyssey that leads brandt brauer frick through the technoid city of detroit. its a fine ride indeed.

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

limited, 300 pressed… once upon a time in a borough not so far away… endlessly walking the streets, on one of those hot-as-hell summer days in brooklyn nyc. you pause on the corner, to catch your breath, only to have an old box of records catch your eye. your fingers start to gather dust as you rifle though 12s with names like strictly rhythm, nu groove, madhouse, henry street and loop nloop on the labels. as you reach the end of your frenzied search, one unassuming piece of wax, in particular, seems to mysteriously peek your interest… on the corner vol. 1. the debut release for the brooklyn nyc based cortelyou road recordings. this will be first in a series of compilations coming from cortelyou road. leaving no stone unturned in their search for the finest production talent from around the globe

support by kink, dave clark, deetron, dirt crew, joris voorn, and.id, alex celler, martin eyerer, nic fanciulli, roberto rodriguez, oscar, gunnar stiller and more.
this killer release by echonomist proves to be one of his most diverse and promising attempts as he switches in between dance styles like houdini. the collaboration with dans mon salon in isolation is a wondering imaginative road trip into the avenues of detroit, driving in a black car as the boomy rhythmic sequence meets with high end pad strings, a haunting stuck acid bass-line and the vocals of a tortured soul seeking salvation. techno structure with modern tools.